With Bayonetta 2’s plot threading in multiple timeline territory, it was only a matter of time before the series explored multiverses; and Bayonetta 3 goes full on with a multiple universe plot. This third instalment starts off with an unexpected scene: the defeat and death of the titular witch at the hands of a cryptic being going by the name of Singularity. The latter has been wreaking havoc by destroying the layers of the Multiverse, with only a few worlds left. And so, it is up to one of the few remaining universe’s Bayonetta to thwart Singularity’s evil plans. Of course, she’ll handle it in true Bayonetta fashion: with over-the-top action, style and demonic abilities.

Bayonetta 3’s story is also true to the series’ antics. It’s one that’s wacky, over-the-top and doesn’t take itself too seriously. It features a Cheshire cat, Kaiju fights in Tokyo, dance-offs, battles won through the power of singing alone and a generous dose of fan service. However, unlike its predecessors, this latest instalment is not restricted to a single location but will get you to travel in cities across the globe and different timelines; adding some welcome variety to the scenery.

  

Also mixing things up is the gameplay of this third entry to the Bayonetta series. The core gameplay though still revolves around fast-paced hack-and-slash action and boss battles, requiring you to combine your moves and demonic skills. As you progress, you'll unlock new weapons as well as the ability to summon new demons, enabling you to further combine your moves and style your offence. You’ll also get to pair your attacks with dodges for slow-mo witch time as well as pair up with your equipped Demon for coordinated attacks. There’s a host of different combinations of weapons, demons and attacks to keep enemy encounters fresh. Based on the difficulty you play the game at, it can be challenging to get a grip of the controls but once you do, the battles feel satisfying.

  

Where Bayonetta 3’s gameplay mixes things up is through chapters and side chapters that get you to control other characters other than the titular protagonist herself. There are stealth platforming levels as Jeanne, segments as Bayonetta from alternate universes and chapters controlling the mysterious new witch Viola. In all of these instances, the characters have different movesets and further help diversify the gameplay.

   

As for the performance of the game on the Nintendo Switch, I was quite impressed that the handheld could handle the game without any noticeable issues. But while some of the main cast even look good on the handheld, the NPCs models often look outdated. In addition, the barren aspect of some areas with crude textures is a glaring reminder of the Switch’s limitations. The device’s screen also feels restrictive in handheld mode as it can only get so much of the action. 

However, despite the wacky and over-the-top nature of the plot being a characteristic feature, it can be a double-edged sword as this can make the plot hard to keep track of. There are also some character arcs that aren’t fully developed, even if they play a central part to the narrative. And while Bayonetta mostly focuses on the gameplay, these aspects of the narrative do stand out. 

 

With its fast-paced hack-and-slash, combo-focused combat and zany narrative  aspect, Bayonetta has been a niche series but the third instalment could even grip and entertain a player like myself who is not particularly a die-hard fan of the franchise. Those awaiting Bayonetta’s return will be well served with Bayonetta 3.

Bayonetta 3 – Launch trailer