So I thought I would return to watching films. Could have watched a classic I had not seen, one I had not seen in a while, something I could reasonable expect to be good, some 70s or 80s cheese... but no I decided to go with the patented click randomly on the generally trashy films channel and went from there.
The Last Days of American Crime
https://www.imdb.com/title/tt1552211/
If the HBO logo at one point meant something was most likely going to be good then the Netflix logo is probably the opposite.
Anyway above I mentioned that I could have watched some 80s cheese instead, and actually I might as well have. If someone made a cheesy nonsense 80s film today this would be it, except this lacked any of the charm of such a thing. It also purported to be a heist film (something I am a fan of in general) but... just no -- no clever double crosses, no nice plan, no real prep for the plan, maybe some minor interference from other criminal elements they pissed off. I am going to spoil it.
Plot holes.
Despite what people think I am not here to write essays so I will have to skip that one. Suffice it to say there was the core of an idea here but the execution was abysmal.
General idea is America has become a shithole and to remedy it the government has a secret mind weapon that makes people (even sociopaths) freeze up should they "attempt to commit something they know to be a crime". This is set to go live across the nation (which is locked in -- they will shoot you should you try to leave for Canada).
Set against this backdrop is a former bankrobber who lost his crew is approached by some other criminals to do quite literally one last job.
So far so good and there are a few nice shots, sets and lines of dialogue somewhere in there, a vague attempt at characterisation, some half decent actors involved and... nope back to plot holes.
The premise of a nationwide mind control device is a great one. Loads of things to explore there -- sociopaths were already mentioned, mentally ill people, Demolition man has a famous scene similar to this (as does robocop as does most things that try this), what is self defence?, philosophical angles (paid the most minor lip service to), legal angles, quite how a signal gets inside a concrete bunker (or what is Faraday cage) is completely ignored, what if someone is raised outside the bounds of society (already a fair few of those), lying is a skill many can learn so what goes if you delude yourself here like the best liars will, you can get a chip under your ear to avoid the signal and apparently there are some master hackers...
I am bored now so so back to the film
Apparently operational security is not a thing (no codewords, keycards and no pass codes to super secure buildings, the dad's seeming bunker is just some heavy wooden doors mainly for the sake of the plot), nobody practices fallover engineering, nobody has ever planned any kind of security in their life, and the final scene... they burst through in a what I presume to be armoured truck (they have an armoured van earlier in the film) to make it to Canada, the preventing force have machine guns but rely mostly on a few concrete barriers for about 50 metres on both sides of this bridge, oh and once in Canada it takes the police there ages to catch up.
Supposedly it is based on a comic book so I am curious to see what goes for that one. Make it a comic book (or graphic novel if you prefer that term) though is just a checklist item for things nowadays -- if your comic takes off you have a better chance of making a film so every half arsed screenplay gets one it seems. That said I have seen abysmal takes on comic books before (see Tank Girl in an earlier one of these) so I will keep an open mind.
The thing is 2h 28min long and actually I would cut that and get an editor in. You could probably tighten it up to get something actually workable out of this.
If you want some throwback cheese then once again I think I am going to recommend Give Em Hell Mallone. If you want a heist film then pretty much any other one ever made.
There is a slim chance this lives on as something almost along the lines of a so bad it is good film but even then I don't favour its odds.